TY - JOUR
T1 - The Artistic Nature of the Chinchorro Mummies and the Archaeology of Grief
AU - Arriaza, Bernardo
N1 - Publisher Copyright:
© The Author(s), 2025. Published by Cambridge University Press on behalf of The McDonald Institute for Archaeological Research.
PY - 2025
Y1 - 2025
N2 - This study offers a review of the artistic dimension of the Chinchorro culture, a complex hunter-gatherer society along the coast of the Atacama Desert that, around 7000 years ago, created elaborate representations of the dead. It provides archaeological background and investigates the possible reasons for the development of artificial mummification. Drawing on the art therapy model and the concepts of art and grief, the analysis interprets Chinchorro mortuary rituals as expressions of emotional and social processes. This study argues that these anthropogenically prepared mummies represent artistic expressions that reflect the intentional decision-making and emotional awareness of these ancient communities, serving as a means to process grief. Furthermore, the paper highlights the multifaceted nature of Chinchorro society, including the mining and use of pigments such as manganese—materials that, while symbolically meaningful, posed serious health risks and may have contributed to the eventual decline of their elaborate funerary practices. Finally, the study underscores the enduring cultural significance of the Chinchorro, particularly in shaping contemporary identity of Arica region, where artistic portrayal of dead links ancient and modern narratives of cultural heritage.
AB - This study offers a review of the artistic dimension of the Chinchorro culture, a complex hunter-gatherer society along the coast of the Atacama Desert that, around 7000 years ago, created elaborate representations of the dead. It provides archaeological background and investigates the possible reasons for the development of artificial mummification. Drawing on the art therapy model and the concepts of art and grief, the analysis interprets Chinchorro mortuary rituals as expressions of emotional and social processes. This study argues that these anthropogenically prepared mummies represent artistic expressions that reflect the intentional decision-making and emotional awareness of these ancient communities, serving as a means to process grief. Furthermore, the paper highlights the multifaceted nature of Chinchorro society, including the mining and use of pigments such as manganese—materials that, while symbolically meaningful, posed serious health risks and may have contributed to the eventual decline of their elaborate funerary practices. Finally, the study underscores the enduring cultural significance of the Chinchorro, particularly in shaping contemporary identity of Arica region, where artistic portrayal of dead links ancient and modern narratives of cultural heritage.
UR - https://www.scopus.com/pages/publications/105023668964
U2 - 10.1017/S095977432510022X
DO - 10.1017/S095977432510022X
M3 - Article
AN - SCOPUS:105023668964
SN - 0959-7743
JO - Cambridge Archaeological Journal
JF - Cambridge Archaeological Journal
ER -