Pinturas rupestres y desarrollo cultural costero del extremo Norte de Chile (2.000 a.C. al presente)

Adrián Oyaneder-Rodríguez; Camila Alday; Marcela Sepúlveda; Daniela Valenzuela-Reyes

doi:10.59516/mda.v8.157

Pinturas rupestres y desarrollo cultural costero del extremo Norte de Chile (2.000 a.C. al presente)

Título traducido de la contribución: Pinturas rupestres y desarrollo cultural costero del extremo Norte de Chile (2.000 a.C. al presente)

Adrián Oyaneder-Rodríguez
, Camila Alday
, Marcela Sepúlveda
, Daniela Valenzuela-Reyes

Departamento de Antropología

Universidad de Tarapacá

Producción científica: Contribución a una revista › Artículo › revisión exhaustiva

Resumen

Se presentan los resultados de prospecciones sistemáticas realizadas en la costa y cursos bajos de la quebrada de Vítor y el valle de Camarones. Estos datos, sumados a los ya conocidos de la costa de Arica y los valles de Lluta y Azapa, demuestran que la pintura no fue una técnica común para la realización de arte rupestre en estos sectores de los Valles Occidentales del extremo norte de Chile, pues solo se registran siete sitios de este tipo. Pese a las escasas pinturas rupestres presentes en el área de estudio entregamos una caracterización cuantitativa y cualitativa en cuanto a su forma, técnica e iconografía. Finalmente, se discuten y complementan los resultados de la caracterización a partir de la información proveniente de los depósitos arqueológicos asociados.

Título traducido de la contribución	Pinturas rupestres y desarrollo cultural costero del extremo Norte de Chile (2.000 a.C. al presente)
Idioma original	Español
Páginas (desde-hasta)	179–194
Publicación	Mundo de Antes
Volumen	8
DOI	https://doi.org/10.59516/mda.v8.157
Estado	Publicada - 1 oct 2013

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AU - Sepúlveda, Marcela

AU - Valenzuela-Reyes, Daniela

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AB - This paper presents the results of systematic surveys conducted along the coast and lower reaches of the Vítor Ravine and the Camarones Valley. These data, combined with existing information from the Arica coast and the Lluta and Azapa valleys, demonstrate that painting was not a common technique for rock art production in these sectors of the Western Valleys in far northern Chile, as only seven such sites have been recorded. Despite the scarcity of rock paintings in the study area, we provide a quantitative and qualitative characterization regarding their form, technique, and iconography. Finally, the results of this characterization are discussed and supplemented with information derived from associated archaeological deposits.

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Pinturas rupestres y desarrollo cultural costero del extremo Norte de Chile (2.000 a.C. al presente)

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