Pinturas rupestres y contextos arqueológicos de la precordillera de Arica (extremo norte de Chile)

Marcela Sepúlveda; Magdalena García; Elisa Calás; Carlos Carrasco; Calogero Santoro

doi:10.4067/S0718-10432013000200003

Pinturas rupestres y contextos arqueológicos de la precordillera de Arica (extremo norte de Chile)

Título traducido de la contribución: Pinturas rupestres y contextos arqueológicos de la precordillera de Arica (extremo norte de Chile)

Marcela Sepúlveda
, Magdalena García
, Elisa Calás
, Carlos Carrasco
, Calogero Santoro

Instituto de Alta Investigación

Producción científica: Contribución a una revista › Artículo › revisión exhaustiva

20 Citas (Scopus)

Resumen

Las evidencias de los sitios Pampa El Muerto 3 (PM-3), Pampa El Muerto 8 (PM-8) y Tangani 1 (TAN-1) permiten reafirmar que el arte rupestre de la precordillera en el extremo norte de Chile se asocia a una colonización más bien tardía de este espacio, hace 7000 años AP. Su ocupación por cazadores recolectores se intensificó hacia fines del Arcaico (ca. 6000-3700 años AP) perdurando hasta el Formativo Tardío (ca. 1500 años AP), y luego reiterarse en los períodos Intermedio Tardío y Tardío (800-500 años AP). En el Arcaico Tardío destaca un paisaje cultural común para el extremo norte de Chile y sur de Perú evidenciado por pinturas rupestres naturalistas en aleros rocosos. Las evidencias líticas, vegetales y arqueofaunísticas excavadas en estos lugares dan cuenta de actividades temporales, por lo que interpretamos los sitios con pinturas como campamentos logísticos estacionales. Además de articular diferentes pisos ecológicos, las poblaciones arcaicas tuvieron una movilidad horizontal precodillerana que unía toda el área situada entre 2500 y 3800 m.snm, cuando en la costa, valles bajos y subárea Circumtiticaca, simultáneamente, ocurrían otros procesos de complejización social.

Título traducido de la contribución	Pinturas rupestres y contextos arqueológicos de la precordillera de Arica (extremo norte de Chile)
Idioma original	Español
Páginas (desde-hasta)	27-46
Número de páginas	20
Publicación	Estudios Atacamenos
Volumen	1
N.º	46
DOI	https://doi.org/10.4067/S0718-10432013000200003
Estado	Publicada - 2013

Palabras clave

Precordillera
Movilidad
Estilo naturalista
Norte de Chile
Pinturas rupestres

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10.4067/S0718-10432013000200003

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title = "Pinturas rupestres y contextos arqueol{\'o}gicos de la precordillera de Arica (extremo norte de Chile)",

abstract = "Evidences from sites Pampa El Muerto 3 (PM-3), Pampa El Muerto 8 (PM-8) and Tangani 1 (TAN-1) allow reaffirming that rock art found at the foothills of northern Chile is synchronic with a late colonization of this zone, 7000 BP. Its occupation by hunter-gatherers was intensified towards the end of the Archaic (ca. 6000-3700 years BP), continued until the Late Formative (ca. 1500 years BP), and reemerged during Late Intermediate and Late periods (800-500 years BP). Throughout the Late Archaic phase the creation of a common cultural landscape for northern Chile and southern Peru is evidenced by rock art paintings naturalistic on the walls of rock shelters. Lithics, archaeological plant and bones remains indicate temporary domestic activities. Thus rock art painting sites are interpreted as seasonal logistical camps. Consecutively, more than articulating different ecological floors, these sites evidence horizontal mobility in foothills between 2500 and 3800 m.asl, in times of increased complexity in coastal and low valleys of the region and the Circumtiticaca subarea.",

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author = "Marcela Sep{\'u}lveda and Magdalena Garc{\'i}a and Elisa Cal{\'a}s and Carlos Carrasco and Calogero Santoro",

year = "2013",

doi = "10.4067/S0718-10432013000200003",

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AU - Calás, Elisa

AU - Carrasco, Carlos

AU - Santoro, Calogero

PY - 2013

Y1 - 2013

N2 - Evidences from sites Pampa El Muerto 3 (PM-3), Pampa El Muerto 8 (PM-8) and Tangani 1 (TAN-1) allow reaffirming that rock art found at the foothills of northern Chile is synchronic with a late colonization of this zone, 7000 BP. Its occupation by hunter-gatherers was intensified towards the end of the Archaic (ca. 6000-3700 years BP), continued until the Late Formative (ca. 1500 years BP), and reemerged during Late Intermediate and Late periods (800-500 years BP). Throughout the Late Archaic phase the creation of a common cultural landscape for northern Chile and southern Peru is evidenced by rock art paintings naturalistic on the walls of rock shelters. Lithics, archaeological plant and bones remains indicate temporary domestic activities. Thus rock art painting sites are interpreted as seasonal logistical camps. Consecutively, more than articulating different ecological floors, these sites evidence horizontal mobility in foothills between 2500 and 3800 m.asl, in times of increased complexity in coastal and low valleys of the region and the Circumtiticaca subarea.

AB - Evidences from sites Pampa El Muerto 3 (PM-3), Pampa El Muerto 8 (PM-8) and Tangani 1 (TAN-1) allow reaffirming that rock art found at the foothills of northern Chile is synchronic with a late colonization of this zone, 7000 BP. Its occupation by hunter-gatherers was intensified towards the end of the Archaic (ca. 6000-3700 years BP), continued until the Late Formative (ca. 1500 years BP), and reemerged during Late Intermediate and Late periods (800-500 years BP). Throughout the Late Archaic phase the creation of a common cultural landscape for northern Chile and southern Peru is evidenced by rock art paintings naturalistic on the walls of rock shelters. Lithics, archaeological plant and bones remains indicate temporary domestic activities. Thus rock art painting sites are interpreted as seasonal logistical camps. Consecutively, more than articulating different ecological floors, these sites evidence horizontal mobility in foothills between 2500 and 3800 m.asl, in times of increased complexity in coastal and low valleys of the region and the Circumtiticaca subarea.

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KW - Movilidad

KW - Estilo naturalista

KW - Norte de Chile

KW - Pinturas rupestres

KW - Foothills

KW - Mobility

KW - Naturalistic style

KW - Northern Chile

KW - Rck art painting

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Pinturas rupestres y contextos arqueológicos de la precordillera de Arica (extremo norte de Chile)

Resumen

Palabras clave

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Huella

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