Abstract
The cachimbo is the musical expression that currently identifies the foothill communities of the Tarapacá region located in northern Chile. It comes from the “baile y tierra” that was danced when the region was under Peruvian administration. With the arrival of the brass band during the Chilean administration, it changed its name to cachimbo and suffered a series of exogenous transformations that gave it other frames of reference, which were imposed on society through official State agencies. During the 21st century, a revival began that appealed to the collective memory in relation to baile y tierra to restore dance. This social movement generated a bridge that allowed its practitioners to overcome the dramatic past, explain the cachimbo in the present and rethink it towards the future, turning the current cachimbo into a tool that links the Tarapacan communities their ancestral territory.
| Translated title of the contribution | De “Baile y Tierra” a Cachimbo. Memoria e imaginarios de una danza patrimonial del Norte de Chile |
|---|---|
| Original language | English |
| Pages (from-to) | 87-118 |
| Number of pages | 32 |
| Journal | Revista Musical Chilena |
| Volume | 79 |
| Issue number | 243 |
| DOIs | |
| State | Published - Jan 2025 |
Keywords
- El cachimbo
- El cachimbo
- baile y tierra
- baile y tierra
- danza tradicional
- heritage
- norte de Chile
- northern Chile
- patrimonio
- revival
- revival
- traditional dance
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