El arpa en la piedra. Su presencia en los templos coloniales en el norte de Chile

Tiziana Palmiero; Alberto Díaz Araya; Jean Franco Daponte

doi:10.56522/BMCHAP.0040020270002

El arpa en la piedra. Su presencia en los templos coloniales en el norte de Chile

Translated title of the contribution: Harps on stone. Their presence in colonial churches of northern Chile

Tiziana Palmiero
, Alberto Díaz Araya
, Jean Franco Daponte

Department of Historical and Geographical Sciences

Universidad de Tarapacá

Research output: Contribution to journal › Article › peer-review

1 Scopus citations

Abstract

The colonial petroglyphs of the Chillaiza II feature figures of harpists in a performative pose. Their attire and aesthetic lines resemble those of harpists portrayed in the frescoes of the Pachama church and other iconographies. Working with ethnohistoric and musicological materials, the paper docu-ments the circulation of harps among the doctrines and churches of Arica and Tarapacá in the context of colonial evangelization, analyzing the role of local indigenous communities in festivities and their musical instrumentation.

Translated title of the contribution	Harps on stone. Their presence in colonial churches of northern Chile
Original language	Spanish
Pages (from-to)	69-88
Number of pages	20
Journal	Boletin del Museo Chileno de Arte Precolombino
Volume	27
Issue number	2
DOIs	https://doi.org/10.56522/BMCHAP.0040020270002
State	Published - 29 Dec 2022

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El arpa en la piedra. Su presencia en los templos coloniales en el norte de Chile

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