Abstract
The COVID-19 pandemic raises questions about curation, collecting, and the ethics of documenting a traumatic event as it occurs in real time. Such concerns became clear as the co-authors embarked on a multi-sited study of the pandemic’s impact on four communities in two different countries. Defining an ‘artefact’ or what is archaeological, for instance, became a complicated exercise; do chalk artworks on the sidewalk, painted rocks lining a neighbourhood trail, posters stapled on community billboards, and stuffed animals in someone’s window count as archaeological artefacts? Determining the temporal boundaries of the pandemic is also difficult; while it is fairly clear when the pandemic first began, it continues to have an impact on our post-lockdown world. Its global impact also means that the material changes and landscape alterations the co-authors witnessed were not confined or isolated to one place and one time, but rather exist in multitudes across the globe.
| Translated title of the contribution | Recopilación y conservación del patrimonio de la COVID-19: Desafíos de la conservación y la gestión |
|---|---|
| Original language | English |
| Pages (from-to) | 160-181 |
| Number of pages | 22 |
| Journal | Conservation and Management of Archaeological Sites |
| Volume | 24 |
| Issue number | 4-6 |
| DOIs | |
| State | Published - 2022 |
Keywords
- COVID-19
- collections management
- contemporary archaeology
- ethics
- heritage
- materiality
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